McAvoy was raised in Drumchapel, Glasgow, by his grandparents
after his father, also called James and a roofer by trade, abandoned his
mother when James Jr. was 7...
He went to St. Thomas Aquinas Secondary in Jordanhill, Glasgow, where he did well enough and started "a little school band with a couple of mates".
McAvoy toyed with the idea of the Catholic priesthood as a child but when he was 16, a visit to the school by actor David Hayman sparked an interest in acting. Hayman offered him a part in his film The Near Room (1995) but despite enjoying the experience McAvoy didn't seriously consider acting as a career, though he did continue to act as a member of PACE Youth Theatre. He applied instead to the Royal Navy and had already been accepted when he was also offered a place at the Royal Scottish Academy of Music and Drama.
He took the place at RSAMD and when he graduated in 2000, he moved to London. He'd already made a couple of TV appearances by this time and continued to get a steady stream of TV and movie work until he came to British public attention in 2004 playing Steve McBride in the successful UK TV series Shameless (2004) and then to the rest of the world in 2005 as Mr Tumnus in Disney's adaptation of 'C. S. Lewis''s Las crónicas de Narnia: El león, la bruja y el armario (2005).
Since then he and his easy facility with accents (no, wait, what? he's Scottish?) have been much in demand.
- IMDb Mini Biography By: IMDb Editors
Spouse
He went to St. Thomas Aquinas Secondary in Jordanhill, Glasgow, where he did well enough and started "a little school band with a couple of mates".
McAvoy toyed with the idea of the Catholic priesthood as a child but when he was 16, a visit to the school by actor David Hayman sparked an interest in acting. Hayman offered him a part in his film The Near Room (1995) but despite enjoying the experience McAvoy didn't seriously consider acting as a career, though he did continue to act as a member of PACE Youth Theatre. He applied instead to the Royal Navy and had already been accepted when he was also offered a place at the Royal Scottish Academy of Music and Drama.
He took the place at RSAMD and when he graduated in 2000, he moved to London. He'd already made a couple of TV appearances by this time and continued to get a steady stream of TV and movie work until he came to British public attention in 2004 playing Steve McBride in the successful UK TV series Shameless (2004) and then to the rest of the world in 2005 as Mr Tumnus in Disney's adaptation of 'C. S. Lewis''s Las crónicas de Narnia: El león, la bruja y el armario (2005).
Since then he and his easy facility with accents (no, wait, what? he's Scottish?) have been much in demand.
- IMDb Mini Biography By: IMDb Editors
Spouse
Anne-Marie Duff | (11 November 2006 - present) (1 child) |
Trade Mark
Blue eyes
Wavy hair
Scottish accent
Trivia
Trained at Royal Scottish Academy of Music and Drama.
McAvoy and Jessica Brooks were the first actors to tackle the complex roles Leto II & his twin sister Ghanima Atreides, the strange prescient Hijos de Dune (2003) based on Frank Herbert's
novel of the same name. Although Leto and Ghanima were only nine years
old in the novel, their ages were bumped up about seven years, making
them about sixteen for the Sci-Fi Channel's miniseries in March 2003.
His younger sister is Joy McAvoy, a singer in the Scottish girl group Streetside.
His parents divorced when he was seven.
As a child, he wanted to become a missionary.
After his parents divorced, McAvoy and his sister moved in with their maternal grandparents, James and Mary Johnstone.
After growing up in Glasgow, he moved to London at the age of 20.
Before he went into acting, he wanted to join the Navy.
While filming Las crónicas de Narnia: El león, la bruja y el armario (2005), Georgie Henley
never saw McAvoy in his Mr. Tumnus costume before filming their scenes
together. Henley's scared reaction upon seeing McAvoy is genuine
surprise.
Former roommate of Jesse Spencer when they were both living in London.
Fan of Celtic Football Club.
Joe Wright considered him for a role in his Orgullo y prejuicio (2005). Both director and actor refused to name the part.
Born to James McAvoy, a builder, and his then wife Elizabeth Johnstone, a psychiatric nurse.
Attended St. Thomas Aquinas Secondary in Jordanhill, Glasgow. Also attended by Tom Mannion.
Enjoys science fiction, including La conquista del espacio (1966) and the new Galáctica, estrella de combate (2004).
Was ranked #18 on Entertainment Weekly's '30 Under 30' the actors list. (2008).
Chosen as one of People Magazine's Sexiest Men Alive for 2007.
Worked out to improve his physique for the action scenes in Wanted - Se busca (2008). However he suffered several injuries during shooting, including a twisted ankle and an injured knee.
Said the script for Expiación. Más allá de la pasión (2007) was the best he had ever read.
He and his wife, Anne-Marie Duff, are expecting their first child [January 26, 2010].
Is good friends with actors Tom Ellis and Benedict Cumberbatch.
His favorite director is Ken Loach.
Was inspired to become an actor after meeting actor/director David Hayman.
Among his favorite movies are Los Goonies (1985), Regreso al futuro (1985), La gran evasión (1963), Breve encuentro (1945), Kes (1969) and Mi nombre es Joe (1998).
Became a father for the 1st time at age 31 when his wife Anne-Marie Duff gave birth to their son Brendan Duff McAvoy on 5 June 2010.
His fans refer to themselves as "McAvoyeurs".
Has a younger half-brother named Donald.
Has said he is "desperately allergic" to horses and suffered terribly while shooting scenes for 'The Conspirator'.
Former member of Pace Youth Theatre. Other members included Barry Arthur McKay, Shauna MacDonald, Paolo Nutini, Martin Quinn and Gordon McCorkell.
Nominated for the Olivier Awards as Best Actor for his performance in "Macbeth" (2013).
McAvoy and Duff were married at a celebrity-free ceremony at the
19th century Drumtochty Castle in Aberdeenshire. McAvoy didn't invite
any co-stars 'because he didn't want the day to be about being famous'.
At the London premiere of Danny Boyle's film Trance
(2013) in March 2013, McAvoy apologised to reporter Sophie van Brugen
when he accidentally spat on her during a red carpet interview.
Personal Quotes
We're in a horrible, repugnant place now where kids are told it's
their right and due to be hugely famous. Not good at their job, not good
at anything, just hugely famous. This is not sane. Little girls think
they'll be famous if they have vast breast implants and might as well
die if they don't.
Where it gets difficult is when you get two or three jobs back to
back where you're playing leads and doing 13, 14 hours a day, six days a
week, and you suddenly think, hang on a minute, how can you have a life
like this? Do I work to live or live to work? How can I work properly
with no life to inform the work?
I always believed that I never wanted to be an actor. I only did
it because I was allowed to do it and I had to do something.
I'm 5 foot 7, and I've got pasty white skin. I don't think I'm
ugly, don't get me wrong, but I'm not your classic lead man, Brad Pitt guy.
[Talking about Andrew McCarthy and why he inspired him to be an actor] Yeah, St. Elmo, punto de encuentro
(1985) is probably the one that I love him in the most. He was really
vulnerable, really open, I think. And he had floppy hair, kind of bad
hair, and I had really bad hair for quite a long time when I was a kid.
I talk about this a lot when people ask me about my favorite films
and things, and I try to be as honest as possible, but it is Los Goonies (1985). I did watch Los Goonies (1985) a lot.
[speaking in 2007] The thing that attracts me to all the jobs I've
done over the last few years was the offer of employment. I've had to
audition for every single job I've ever done, I think. So it's not just a
question of being attracted. Yes, I like the things I've done, and I've
been very luck that the things I've done - I think - have a certain
level of quality. But had I only got parts that were rubbish, I'd be
doing them as well, because I'm an actor and I need the work. But I'm
getting a little more choice. When I read El último rey de Escocia
(2006), I thought this is excellent, and I'd be very lucky to get this.
That was my choice, but afterward I still had to convince somebody else
to choose me.
[on his role in Wanted - Se busca
(2008)] I got to satisfy the 16-year-old boy's yearning to break things
and jump up and down and beat people up. It was a very physical film,
and I had to get fit and go to the gym, which I don't really enjoy.
[When asked what an actor should never do] Read reviews. You just
try and do your job and not worry about what people say, because
ultimately it can only affect what you do in a negative way. It can only
make you a worse actor.
The minute you start to strategize too much, the more you start to
think you're in control of your own fate. And you're not, really.
Thank God X-Men: Primera generación
(2011) is not in 3-D, which is just an excuse to charge an extra ten
bucks at the theatre. Then, in the end, they're not 3-D at all. The idea
of things coming out of the screen and making you jump out of your seat
are done very well, but I think it's a waste of time and money and I
wouldn't pay for a ticket to go to one of those films.
I was one of the lucky people that saw Cisne negro
(2010) thinking that it was just a movie about ballet dancing. And what
an amazing surprise and treat to go, 'Oh right, so it's about ballet
dancing; oh right, it's also about a messed-up ballet dancer; oh right,
it's about a mental case ballet dancer; oh my God it's about an absolute
nut job!'
[on dealing with the media] It's a difficult thing - you've got to
talk about yourself but you've also got to try not to say anything
about yourself. The more you give of yourself, the more there is to
chase after.
[on his relationship with his wife] We keep our noses clean and
keep our stuff private. We don't have affairs, we don't turn up to
parties, we don't fall out of places drunk. We're not that interesting. I
don't wear a dress where you can see my knickers when I'm getting out
of a taxi. Do you know what I mean? I find all that weird.
[on working with Patrick Stewart and Ian McKellen] It will be interesting when Sir Ian McKellen and Patrick and I are all working on 'X-Men'. We might have a Macbeth-off. I might just go, "My Macbeth's better than your Macbeth... And your Macbeth: hmm, not so sure."
My favourite kind of theatre is when I see the actors bleed and
sweat blood and look like they're having heart attacks. You've got to
try and dash yourself without breaking yourself too much.
[on playing Macbeth in the BBC's ShakespeaRe-Told (2005) series] I was very young. I think I was about 25 or 24. And that made me think, obviously this isn't Shakespeare's text but it's quite interesting having a young Macbeth because what you get is him and Lady Macbeth perceived to be throwing away their future, all through ambition. And it makes their loss all the sadder when he delivers the 'Tomorrow and tomorrow and tomorrow' speech, which is an expression of utter blackness and fatalism.
[on his role as Bruce Robertson in Filth
(2013)] He's not somebody you want to be, he's not somebody you'd want
to know... if you see somebody manipulate and corrupt and abuse and all
these things then ultimately you want to see them get their comeuppance,
and without giving too much away you probably get that in this as well.
I am a very shouty Macbeth. You know you've got the audience there and can do anything to make them feel uncomfortable. We do it on purpose.
[on Welcome to the Punch (2013)] Don't get me wrong. I love British cinema, but there's also a place for ostentatious, balls-out entertainment.
[on Filth
(2013)] As an actor, you've got to try and make the audience like you,
even if you're doing bad things. I quite like that dynamic, so I thought
more about pushing it, about someone who does despicable things.
I don't want to be all worthy about it, but I don't do red
carpets, I don't do events and I don't accept freebies that much.
[on his decision to become an actor] I was faced with the prospect of working in a bank for my work experience, and having heard about the experience from a mate of mine, who was a year above me and went to the same bank the year before, I was dreading it. It was sitting on your a*** licking stamps and doing that for six days solid, nine to five. Then going out and getting everybody's lunch. And I thought, 'I'd rather be doing that in an interesting environment,' so I thought, 'F*** it, I'll go and ask [director David Hayman for work experience].' I don't know what possessed me, really.
About the age of 15 or so I did consider it, and specifically not
just any old priest, I considered being a missionary, 'cause I thought
the whole great romantic idea of going off to far-flung regions, and
helping people and trying to do all that was not only a good thing to do
and romantic thing to do, but quite an adventurous thing to do. So I
thought about that, but then I did start getting more luck with girls
about that time, and that sort of put the kibosh on wedding myself to
God. Girls and adventure, and then acting kind of came along right at
that moment as well, and so I am so, so thankful, especially since I
turned my back on God, he has not punished me, thank you very much.
I always have a beard between jobs. I just let it grow until they
pay me to shave it. People are quite surprised it's ginger. Sometimes
they ask me if dye my hair and I always say "Wow, no! I'm
'trans-ginger'."
[on his grandparents' views about his career] You know, they never
told me, "You can be whatever that you want to be" because I think they
felt - and I feel - that that's a lie, nobody can be whatever they want
to be. No kid can do whatever they want to do. It's a total lie, but
they have the right to try to do whatever they want to do. That's their
right, to aim to do whatever they want to do. And you know what? Life
might kick you in the face, life might not let you do what you want to
do, but they always taught me that, you know, "Go for it! Yeah, you
wanna do that? Go for it, son, you've gotta do it."
I don't know what I thought it was gonna be. Honest to God, I did a
movie and a couple of little TV shows when I was 16, didn't do anything
again, got into drama school. Then I started working pretty much
immediately after drama school. I wasn't really aware of what was going
on, and I still hadn't really decided that I was an actor. I hadn't sort
of said to myself "Right, this is the rest of my life," because you
can't, because there is still a big massive part of me saying, "What if
the work dries up tomorrow? Then I'm not an actor any more," you know?
[on "Macbeth"] It's not got a Scottish voice. It's written for an
English voice. But it is historically set in a place depicted by
Shakespeare as brutal and violent, incredibly superstitious, and that's
something that I do believe is Scottish.
[on his eyebrows] They're gonna be my f****** passport to playing wizards in my seventies.
[McAvoy's views on Danny Boyle, director of Trance
(2013)] Danny has incredible energy. It's quite something to behold. He
drinks a lot of coffee and he's about four feet taller when his hair's
standing up. He's working on the Olympics Thursday and Friday and doing
our film the rest of the time.
[on Anne-Marie Duff's
performance in Terence Rattigan's "Cause Célèbre" at the Old Vic] I
think doing plays is always knackering. But especially when you're
playing a part as emotionally taxing and dexterous as Alma [Rattenbury]
in that play. And Anne-Marie was rarely off stage. But one of the
strengths of her work is that when she goes through something, she goes
through it and she doesn't hold back. Danny [Danny Boyle]
said something to me the other day - we pay to see actors cry and go
through stuff. Not just dramatic feats of action and derring-do but
stuff that we wouldn't let ourselves do. We rarely cry or kiss our
partner or devote the time and attention it takes to understand some of
the things we're going through. But we pay to see actors f***in' go
through it. I think Anne-Marie's always done that, and she manages to do
it without taking up too much emotional space. I don't know how she
does it.
The hours you work are incredible. But beyond that as well, Anne-Marie [wife Anne-Marie Duff] and I both seem to get the kind of jobs where you put yourself through the wringer. X-Men [X-Men: Primera generación (2011)] wasn't really like that - that was quite nice and chilled out. I just got to float about saying lines that Professor X thought were slightly humorous. But generally the work we get is quite emotionally demanding.
[on basing his character Arthur in Arthur Christmas: Operación regalo
(2011) partly on Prince Harry] I think he's a more innocent Harry. I
think I'd love Harry. He's a proper, man. He's like, "I'm never gonna be
the king, it's cool."
[on being asked to lose weight for his role as Bruce Robertson in Filth (2013)] I was like, "Aw, must I? Can't I just act it, darling?" [in his best Laurence Olivier accent].
I'm probably more dangerous in a car than I am on a motorbike; on a bike I'm very mindful of the fact that if you make a mistake you're dead.
If you can't empathise and imagine what it is like to be somebody
from somewhere else your world becomes very small and you can only do
one thing. I went in there [the RSAMD, now renamed the Royal
Conservatoire of Scotland] being able to do 'angry young Glaswegian' and
that was about it really. I came out being able to do a lot of the
stuff that I've done.
[on his role in "Macbeth"] You're having a mental and physical breakdown throughout the course of the show every night. It is one of those parts, those plays, where the audience is willing you to dash yourself on the rocks, both artistically and actually a little bit. It's all very controlled and we're trying to make sure nothing like that would ever happen of course, but we have to go so far to make people feel like anything could happen, make it seem like we are on the verge of losing control. That's not only a hard line to ride, it's also an exhausting one. But I'm loving it, absolutely loving it.
[on Filth
(2013)] Some people will just hate it, but there is going to be a lot
of people who wouldn't expect to like it who will find it entertaining,
interesting and emotionally powerful. It is not what you usually expect
from me. It is not Trainspotting (1996). It is very Irvine Welsh but it has got its own voice.
At the beginning of my career I just set out to hopefully dupe
people into giving me any kind of work, and that was a lot of character
work. I was just happy to get anything and I'm lucky that I've not been
pigeon-holed too much. I've started to plan things a bit more now, but
until the last three or four years I never really planned anything.
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